In this blog post, I share my process along with a video, and some tips and tricks I’ve learned about lettering with food.Read More
I recently made a little process video of a pencil composition and as I was editing the video, I realized that I did a few things while drawing this piece that would make a nice little lettering tips post. Most of these things involve a simple folded up sheet of printer paper. It’s amazing how many things it can come in handy for. Before I get into my tips, here’s the video for reference:
I've fast forwarded this video quite a bit so below I've tried to screenshot the frames that I am talking about for visual reference.
Have you ever had the problem of your hand falling off the side of your sketchbook while you’re drawing? When you’re at the edge of the page, it’s so uncomfortable when your hand just keeps falling or tilting off the page, making it difficult to draw. My solution to this has always been to just find a book that’s as thick as the space between your table and the page you’re drawing on and just prop your hand up on it. You’re just creating a level surface for yourself and it makes drawing a WHOLE lot more comfortable and manageable.
The Magical Piece of Paper
So I use a sheet of folded up printer paper in this video for a few different things.
First, and the reason I even had this sheet in the first place, was to prevent my hand from smudging the sketch underneath since I was making this entire thing in pencil. A sheet of paper is the perfect little hack to prevent annoying smudges and a lead-colored hand.
The second thing I used my sheet of paper for was measuring. Yes, measuring! No ruler required. For those times when you’re just too lazy to get up and find your ruler, you can easily just line up the edge of your paper to your sketchbook and mark off a measurement. What I needed to do here was to make sure that the word “Patagonia” ran straight. So I lined up a sheet right below the “P” and marked off where it met the edge of my sketchbook. Then, I took that measurement to the last letter of the word “A” and made sure that the bottom of this letter was at the same level.
As a part two of this measuring method, you can then line the sheet of paper up with the first letter and the mark where your last letter is going and use it as a straight edge to draw the word.
Another thing that a piece of paper is great for while you’re drawing is testing. I didn’t do it in this video since I already had the skeleton of the sketch laid out but if I am drawing something and I’m not sure how to draw a certain letter, for instance, I will test it first on a scrap sheet because I feel less bad about trying things out on a throw-away piece of paper. I use this method most often when I am using color because most of the time, when you put down a color, it’s permanent so you need to make sure it looks right beforehand. A lot of the time, I will actually use a small piece of the same paper I am coloring on to see how a certain pencil or marker reacts on that particular paper.
Anyway, those are my tips! I told you it would be a little post :) I hope you’ve found them helpful!
As a letterer and freelancer, inspiration and learning are so important to keep your skills constantly evolving. I only have a small collection of books dedicated to lettering and freelancing but I wanted to share with you a few of my very favorites. Maybe there are some in here that you can add to your own collection!
In Progress by Jessica Hische
I bought this book because Jessica Hische was my very first and main inspiration and the reason I got into lettering. The day I received it, I read it cover to cover, which I usually don’t do with type books (I tend to jump around and just look at things I need at the time). I can’t tell you how great and inspiring this book is, so you need to go and read it yourself. Jessica talks about her whole process, gives amazing tips and tricks, and shows all of the sketches for some of her popular works. It's so great to see the process from beginning to end.
Drawing Type by Alex Fowkes
Drawing Type was one of the first books I got when I started lettering. It’s just a great collection of works by amazing lettering artists, organized in sections of hand-rendered lettering, vintage lettering, playful type, contemporary type, and then a section on drawing type. The first part gives you lots and lots of imagery along with little interviews with each artist. The second, much shorter section, talks a little bit about type anatomy, lettering tools, gives you some lettering exercises for each of the styles in the first section, and then provides a few pages of type specimen sheets. Overall, I've found that I turn to this book a lot for inspiration because it offers such a nice variety of styles.
Scripts by Steven Heller & Louise Fili
I received this book as a Christmas present one year from one of my good friends and am so happy that I did. Louise Fili is a lettering goddess and it’s amazing to see her extensive collection of script type and inspirations in this book. It’s a collection of 19th to mid 20th century script examples from USA, Britain, Italy, France and Germany. It has so many examples that it's impossible to really take it all in in one shot. Such great reference if you’re creating script lettering.
The Little Book of Typographic Ornament by David Jury
I found this book in a discount bin at Casa Mila in Barcelona and I kind of felt like I won the lotto. It was a bit worn and torn but that somehow only added to its charm. At the time, I was looking for some inspiration on flourish styles and ornamentation and this book spoke to me. It is full of examples of various ornamental forms, like natural, geometric, pictorial, as well as hundreds of different rules and borders to get your creative ideas flowing. A lot of them are a bit old-style and a lot are very Art Nouveau inspired. It says that it contains a collection of examples starting at around 1557 and ending in 2014. This is an amazing little reference book if you’re looking to do very detailed decorations in your lettering work.
Typography Sketchbooks by Steven Heller & Lita Talarico
This was also one of my first lettering books and I love to look over it from time to time for inspiration. The title is pretty self-explanatory - it’s a very large collection of sketches (mostly shots from sketchbooks, very rough drawings) from lettering artists. It even shows Louise Fili’s sketches, which is so awesome to see. It’s also just nice to see that the sketching process is messy business sometimes and it’s ok that your initial sketches don’t look like artworks.
Little Book of Lettering by Emily Gregory
I think I originally bought this book because I just loved the cover but after I got the chance to look over it, I loved it for its contents too. This is another lettering collections book and shows works from many different artists like Lauren Hom, Jessica Hische, Mary Kate McDevitt and many many others. It’s split up into three sections: Digitally Drawn Lettering, Hand Drawn & Illustrated Lettering, and Three-Dimensional Lettering. This cute little orange book would be a great addition to your library if you don’t already have it.
Thinking with Type by Ellen Lupton
This is one of my oldest type books that I bought back when I was getting my Bachelor’s Degree in graphic design. It was a required book for my design class because it’s just a really great reference on type in general. It is not a lettering book but I think that you can only get better at lettering if you understand type. it talks a lot about how to set type, how to use type combinations, grids, hierarchy, spacing, etc… It has a very very small section on lettering but this is NOT a book for lettering inspiration. It’s a book for understanding typography at its core.
The next two books are not for lettering specifically but are AMAZING resources for freelancers:
The Freelancer’s Bible by Sara Horowitz
I got this book pretty recently as a present and I can’t believe I didn’t know about it before. It’s written by Sara Horowitz, who’s the founder of the Freelancer’s Union and she writes about literally everything you need to know as a freelancer. She interviewed successful freelancers in the union and gives such great advice about what to do and what not to do when starting your own business. This is such a great guidebook when you feel completely clueless about freelancing. I haven’t even gotten through the whole book yet because it’s pretty thick and has so much information that you need to ingest it in pieces. She goes through topics like how to get clients, how to keep clients, how to market and grow your business, even things like taxes, managing your office, and setting up your workspace. It’s a literal bible for everything freelance life.
Graphic Artist’s Guild Handbook of Pricing & Ethical Guidelines by Artists Guild Graphic
EVERYONE should use this book (or series of digital books as it is now) for figuring out pricing and guidelines for all freelance projects. And I mean everyone. Not just because it will help you figure out pricing for projects, the all-time dreaded task, but also because when everyone is on the same page, design work will stop being undervalued. Our work has value and when artists lowball clients to get work, it hurts everyone. When a great designer does something for free or for a minimal fee, that client will now expect good work to come cheap, which will in turn hurt the next designer who quotes a fair price and doesn’t get the job. This book lists the standard pricing for literally anything you can think of, and while those numbers are not end-all-be-all, they give a pretty great general ballpark figure. Pricing is only one part of this series of books, though. The other two books focus on business practices and legal rights, which are also so essential to understand for a freelancer.
Well, there you go! Hope that this was at least a little bit helpful for someone! :)
Ever applied for a creative job and wondered what the person on the receiving side thinks of your resume? You’ve spent hours designing it and thinking of relevant content to include so you want it to pay off with a job offer. Each employer is different and it’s so difficult to predict how each individual person will react to what you send them but I wanted to share with you a few tips and pointers from my personal experience of being on the receiving end of creative resumes that might be helpful in your next job search. My goal with this is to give you some things to think about and consider when designing your resume.Read More
Have you ever wanted to redesign the cover of a book you love? Well, no need to wait for those publishers to call because you can make your very own hardcover at home with just a few supplies and a bit of time (It won't be on the shelf at Barnes & Noble but you can show it to everyone that comes over your house). I'm going to walk you through all of the steps to turn your designs into actual covers and tell you about some things I've learned in the process that will hopefully make your life easier when you get started.Read More